David’s Story has ratings and 19 reviews. Melissa said: I read this book for a class, and I can say it’s definitely not an easy read. However, as I b. David’s Story (Women Writing Africa) [Zoë Wicomb, Dorothy Driver] on Amazon. com. *FREE* shipping on qualifying offers. The publication of You Can’t. As richly imagined and stylistically innovative as Wicomb’s debut work,David’s Story is a mesmerizing novel, multilayered and multivoiced, at times elegiac, wry, .

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Finally, I contend that Wicomb responds to this question by con- sidering the impossibility of representing the body in the absence of dis- course.

Worse than any instrument of torture is the thought of such hard-found words being fingered by themjabbed, clubbed, defaced into gibberish that would turn the thing between David and herself into nothing All references are to this edition and appear in parentheses in the text. An Introduction, Cape Town: I need at least one more reading to grasp this xoe and maybe I’ll never totally understand this novel since its intertextuality and story are so complex.

David’s Story – Zoe Wicomb – Google Books

It did not flow or read as a story which, I can understand, is part of the purpose of this experimental-type novel. Dulcie cannot be represented in language, because it is in and through language that the body sory the black woman has been dismembered by being reduced to a vocabulary of signs. Not for commercial use or unauthorized distribution. What did the narrator want other than a good story? Her first book, a collection of short stories, You Can’t get Lost in Cape Town is regarded very highly.

Africa lives and teaches in Scotland.

Through voices and stories of David and the women who surround him—responding to, illuminating, and sometimes contradicting one another—Wicomb offers a moving exploration of the nature of political vision, memory, and truth.

Both David and Dulcie are significantly interested in preserving the purity of their thoughts and ideas and are unwilling to allow them to be perverted by those that might receive their speech. People interested in historical and cultural influences. Henry Louis Gates, Jr. The virus of secrecy. As richly imagined and stylistically innovative as Wicomb’s debut work, David’s Story is a mesmerizing novel, multilayered and multivoiced, at times elegiac, wry, and expansive.


Remember me on this computer. I believe this is a very good book that focuses on the untold story and inner workings of the “other side” of the apartheid struggle.

But David finds that the Struggle is not over: But while engaged in the primi- tive employment of drawing water, a dispute arose between two nymphs, who instantly, like Irishmen, began to box most furiously.

David’s Story

The seemingly aporetic question which her novel poses is: Mar 24, Franki rated it it was ok. However once the individual’s needs and desires are suppressed within the group the system falls apart. The best ‘postmodern’ novel I’ve read so far. It is partly because of this portrayal of Dulcie as that which exceeds textual presentation that the novel is depicted as being incomplete in the lines of the poem with which it closes: It does not belong to this line, in that it cannot be contained and determined by the aesthetic of Downloaded from http: This website uses cookies to ensure you get the best experience on our website.

The formation of representation or the collection of repressed people into a large powerful group capable of being heard involves a necessary compromise on the individual level in order for the groups voice to be heard. There is artistry in that, I guess, but in the end, one should try to tell a story and not merely indicate how complex telling that story actually is, no matter how relevant this may be from a postcolonial point of view.

She lived in Nottingham and Glasgow and returned to South Africa inwhere she taught for three years in the department of English at the University of the Western Cape She gained attention in South Africa and internationally with her first work, a collection of short storiesYou Can’t Get Lost in Cape Townwhich takes place during the apartheid era.


Oct 07, Marcy rated it liked it.

Nicole Crampton rated it really liked it Nov 15, I can’t wait to delve into it and read more for my essay. Love is a main component in her refusal to widomb. There are no discussion topics on this book yet.

It’s such a complicated stody novel that I just can’t give this book a rating. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.

The Bastards were largely the product of casual, hypergamous miscegenation, rather than inter- marriage, between white men and Khoi women4 — a point which counters the davis tenacious perception that the early colonial society in the Cape was tolerant and open. Dulcie’s elusiveness is a statement of the elusiveness of the double victim of colonialism and patriarchy.

David’s Story by Zoë Wicomb

He is simultaneously working with stoory biographer who he hopes may better articulate his life. But that was at a time where I had a much deeper affection for experimental, postmodern fiction and I zos reading this novel that I no longer crave that kind of disjointed narrative. But David soon learns that he is on a hit list, and, caught in a web of betrayal and surveillance, he is forced to rethink his role in the struggle for “nonracial democracy,” the loyalty of his “comrades,” and his own conceptions of freedom.

Her new work, an epic retelling of the settlement of South Africa’s Griqualand, will bring her into the spotlight Trivia About David’s Story.

As richly imagined and stylistically innovative as Wicomb’s debut work, David’s Story is a mesmerizing novel, multilayered and multivoiced, at times elegiac, wry, and expansive.

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