of Horacio Vaggione. Curtis Roads. The composition of music has evolved into an interactive process of directly sculpting sound morphologies on multiple time. Horacio Vaggione is an argentinian composer of electroacoustic and instrumental music. He co-founded the Experimental Music Center of the University of. This article stresses the important contribution of Horacio Vaggione to inserting the computer within a musical project. The theoretical contributions of Vaggione.

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As early as the s, Hofacio began coupling his compositional work with computation as a means of transposing digital concerns to the instrumental level. His music is characterized by lively, often violent colors, but also by subtle relationships that are set up between acoustic instruments and recorded or computer-generated elements.

Horacio Vaggione (biography)

For Vaggione, composing is a process of generating veritable, unique events and articulating them within a multiplicity of timescales, scalable within ever-expanding digital environments.

Vaggione parses through tense and often false dichotomies between multiplicitous and univocal sonic elements, with granular sound positioned and manipulated without the unity of the sound source being lost. His compositions concern morphology the study of the forms of things by building sturdy structures from these minute grains, bringing the ear to a sonic world made up of atoms forming and reforming in their cohesion.


Here, a snare drum can be defined merely by the sharpness of its timbre — the rubbing, bouncing, and multiphonic spread of its impact deconstructed and emphasized by software. PianoHertz was composed from a collection of piano sounds that Vaggione played, recorded, and expanded digitally with the intention to foster the birth of multiple classes — some retaining the dynamic traits of the original sounds while others representing radical mutations.

VAGGIONE Horacio (1943)

Timpani has never been heard publicly. Using field recordings from domestic settings and site specific locations in Poland and Germany, and techniques of repetition, moving stillness, restraint, and tension, keeps her sonic sources hidden, rather focusing on the transmission and decay of overwhelming thematic elements into minor sonic forms.

Here, her work touches on implicit musical tensions between noise and silence, language and sound, material and transcendence — dichotomies that often form the binaristic conditions that are confronted and deconstructed within meditative and ritualistic practice. Horacio Vaggione born is an Argentinian composer of electroacoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often scored for performers and computers mixed music.

Bourges Prizes, Euphonie d’Or Bourges, Ton Bruynel Foundation Prize Amsterdam, Writings and research papers: Voice, electronics, and a highly confrontational austerity is set against the backdrop of the mutant metropolitan city.

Past and present ricochet. Slow, furious, erotic, and unheimlich landscapes unfold.


Born and raised into an Orthodox Jewish family, the droning and whispered sounds of the Ashkenazic synagogue service and Chasidic melodies were a formative introduction to abstracted sound expression. The solemn and mournful songs hoarcio a potent influence. As a teenager, exposure to the local DC punk scene beget collaboration and performance.

An introduction to non-Western arts led to study of koto, Balinese gamelan, and Chinese calligraphy at University. A move vagginoe San Francisco brought exposure to rave culture – arousing the experimentation with electronics that continues to this day.

VAGGIONE Horacio () | Centre de documentation de la musique contemporaine

Here, she has been developing and refining a sonic and visual language that transcends genre and trend, but speaks from a highly personalized, yonic-psychedelic dimension and a devotion to the book of questions. ISSUE presents projects by interdisciplinary artists that expand the boundaries of artistic practice and stimulate critical dialogue in the broader community.

ISSUE serves as a leading cultural incubator, facilitating the commission and premiere of innovative new works spanning horxcio of music, dance, literature and film.

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